Sesmedia Enterprises
Division

sesmedia Entertainment Group

We run the show with you.

The show side of Sesmedia. We build shows, run them on the night, and put Deaf performers in front of audiences that were not already theirs.

Two sides

We own some of these shows. You own the rest.

Both halves have been working for years, and most venues only ever meet one of them.

What a venue hires is everything around the performer. A performer is one part of a show. The format, the look, what is on the screens, the sound and lighting calls, and somebody running the order on the night are the rest of it. That is the part we do.

OwnedOur characters and formats

Original characters, shows, and game-show formats, created and owned here. The character is the asset, so it can be performed, cast, licensed, and carried forward without changing hands.

For othersProduction and representation

Agenting, producing, teaching, and stage-managing for other Deaf entertainers. Run for the performer rather than sold to them, which is a different job and a different bill.

What we do

Six capabilities. One division.

The same six every time, whether the show is ours or yours. Take one or take the set.

Pillar 1Talent & Persona

Turning a performer into a character and a character into a brand: the look, the rules, the material, and the things it never says.

Pillar 2Original Shows, Series & Formats

Written formats with a bible behind them, so a show can be cast and produced again instead of made once and lost.

Pillar 3Live Entertainment

Hosting, stage shows, galas, and festival mainstages. Designed in sign, run in sign, for a room that signs.

Pillar 4Digital Content & Channels

Series built for a feed: shot, captioned, and scheduled so the next one is easier to make than the last.

Pillar 5IP, Licensing & Merchandise

Design, manufacture, and fulfillment, and the paperwork underneath. A character people can wear is a character that pays for itself.

Pillar 6Partnerships & Distribution

Getting the work in front of audiences that were not already yours, with the credit still attached when it travels.

Accessibility is not the seventh. It is the floor the other six stand on. Nothing here is captioned afterwards, because nothing here is made in a language it has to be translated out of.

What you can book

Four things, plainly.

A host

For a gala, a festival, an awards night, or a ticketed room. Signed throughout, and written for your audience rather than dropped into it.

A show

Built end to end: format, identity, live screen content, technical direction, and cue-to-cue execution on the night.

A character

An appearance from one of ours, on your stage, on your channel, or in your campaign.

Your performer, produced

You have the performer and nothing built around them yet. We build the show around them and hand it back working.

The roster

Two characters carry the front.

They are the ones people know, and they are not the whole division. Each will get a home of its own, where there is room to tell it properly.

Wanda White

The CEO Drag Queen. Deaf, Mexican-American, on a stage since 2009, which is years before Deaf drag was a thing anyone was doing online. Hosting is where she started and it is still the core.

Chef Sesma

A Deaf, ASL-native chef teaching cooking and sign in the same breath, with a family of four characters around him. The bow tie is the brand.

The record

Twenty years of shows, not one performer.

Productions staged, formats built, rooms hosted, and stages run. Some ours, some other people’s.

2006The first production. A film with a full press kit behind it, and the title card that gave the studio its name.
2009The first stage. A character built in October is booked for a Deaf sorority gala in Northridge three weeks later.
2015Festival Clin d’Oeil, Reims, France. Produced the opening ceremony and a talk show for the major French Deaf arts festival. The first Sesmedia work at European scale.
2016The green-screen comedy house. A hand-painted studio wall, character series produced in-house, and the beginning of a real production line rather than one-off videos.
2016Six cities, across Germany. Ten days on the road: Essen for the SportFest, then Wuppertal, Hamburg and the first Deaf Club in Germany, Kiel, Berlin, and Munich to Landshut. Stage-managing the shows, running a workshop in a Deaf school, and shirts designed here selling to audiences on another continent.
2017Clin d’Oeil again, and asked back for the opening. Produced the opening ceremony a second time, two editions on, and ran the whole roster across the festival: routed, scheduled, run of show written, and every act delivered to its stage. Handled solo.
2018The Deaf Variety Show and Deaf Got Talent. Two formats created for the 258 Deaf Street festival and staged at arena scale in Denver: a mainstage to a packed house, and a competition with a thousand dollar prize.
2018Representation. Festival talent handled under contract, including a performer who went on to national stages of a size nobody in that room was expecting.
2019An ensemble, not a character. Four related characters designed and launched together, so a single premise could carry a whole catalogue.
2020Drag Feud. A complete game-show format built in four days: a written bible, a survey bank tallied by hand, thirteen fictional families, and a six-camera floor plan. Format IP, produced or not.
2021A ticketed room. Billed as special guest at a Burbank venue, plus the venue promo that sold the tickets. Booked, not favoured.
2021TCL Chinese Theatre, Hollywood. A red carpet at the Dances With Films premiere of WHAT?, a black-and-white silent comedy directed by Alek Lev. Worked in sign, on a Hollywood carpet, on our own terms.
2024Clin d’Oeil, a third time, on the main stage. Produced the festival’s prime-time game show: identity, live screen graphics, format design, and technical direction, run to a European Deaf audience.
NowMore on the way. Multiple owned IPs and shows in development, slated for release.

A performer is one part of a show.

Book the Group

Tell us the room.

A venue, a festival, a brand, a channel, or a performer who needs a show built around them. Tell us which, and we will tell you what it takes to fill it.

Get in touch